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Limitless

When Ironlak discovered a large warehouse in Brisbane was marked for demolition they arranged for Sofles, Fintan Magee, Treas and Quench to have unfettered access to its interior walls. Luckily, Selina...

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One and Three Four

In the weeks since sharing Masanobu Hiraoka‘s Land I’ve come back and re-watched it at least a dozen times. His ability to change composition with unbroken, constantly-evolving morphs – as opposed to...

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Rick & Morty

“I do for sure. I don’t like going places and sitting around for twenty hours waiting for them to reset a shot. I made the conscious decision a long time ago: I’m done with live action. ‘Cause I can...

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Shadows

It’s pretty rare that I’ll post a video that isn’t HD. The attached is only 360p which is, like, 50% less than my typical minimum-p-quotient but the lack of resolution does little to diminish its...

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The Ecstatic Energy of Geometry

“14 teams of Austin based studios and freelancers participated in a 48 hour animation challenge in the spirit of an Exquisite Corpse presented by the Austin Motion Artists Group, Moontower VFX,...

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The Jump

I’ve technically already posted the attached – it was, after all, included in Late Night Work Club’s ultra-rad first release, Ghost Stories – but, considering that it was my favorite of the bunch, I...

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It’s Called “Moon”

Straight-away I was reminded of Jake Fried, but only in materials/process. It’s clear that Emanuele is also intuitively fleshing out the movement frame-by-frame as he goes but his work is unique in...

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Birds

“A lighthearted essay on contextualized characters. Reconstruction follows deconstruction.” *Dusts off keyboard* Whoa. Hey, what’s going in? It’s been a while. The short story: I’ve been busy. The long...

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Pari pari par-ri

In college I was lucky enough to land a summer internship at a nuclear power plant; it paid almost double than my previous gig (at a movie theatre), gave me regular ‘office hours’ and included...

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Ryusei Girl

Have you guys ever seen The Powers of Ten? It’s a 9 minute short Charles and Ray Eames created for IBM in 1977 that I first saw at the Boston Museum of Science with my dad sometime in the eighties. It...

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